
Exit Ten – 19th Nov 09 at The Joiners Arms. Southampton.
It’s not been an easy year for Exit Ten. These Reading metal-core 5-some are pretty much single handed flying the flag for beautiful metal. And playing a trillion shows a year, nailing festivals, releasing and album to insane critical acclaim obviously isn’t enough for some; an unfortunate tough run of CD sales has jump started the band into a new gear, more…considered. No less soaring vocals and massive guitars, but just…fresh.
Baring in mind this is the first date on a 14 date tour, the band calmly adjust straps and drum stands casually enough…and the first song “Remember the Day” just blades your face off. Massive riffs, awesomely accurate vocals and just KILLER stage presence. Literally, as the words “what happened here?” are sung you are literally pinned to the floor thinking….seriously….what happened? How are these guys not GLOBAL?
The set chugs and riffs into literal classics; “Fine Night” and “Resume Ignore” fill the room with pure brutal choruses; chilled numbers like “Perish in the Flames” and MTV2 favourite “Warriors” hit home with note perfect sweetness. But its when riff-tastic old number “Piece by Piece by Piece”, with its almost cheesy uber-metal intro riff breaks down, the room opens like the red sea, the initial “wow” turned into “ARRRGGGH!” The set just flows, and people, more and more people, ones who’ve been hidden away, ones who’ve just been chilling, have been smashed into singing. And you can’t not sing with Ryan Redman. His voice better than record, hitting ball crushing notes and leaping around the front of stage, like he should be fronting some a little more Slipknot.
Then something bizarre happens. An acoustic guitar is brought out, and the band takes a back seat. “This is a new one”. And it’s not like it isn’t good. Redman’s voice is completely faultless. It just seems as little…forced. When eventually the band pick up and play a selection of new numbers we see the evolution of Exit Ten in a song writing band, without the reliance on massive riffs, and although they have never really been a cheesy metal-core band per say, they’ve moved into calmer territory without losing the epic quality that makes them who they are. The band quit the head banging and just let the songs speak for themselves, and as nerve wracking as I’m sure they were to play, they’re delivered with honesty and appeal and sound brilliant.
And with the safe nod to the future, the band return to the brute album opener “Technically Alive” and rip out a colossal night-ender with it. The crowd aren’t exactly hanging off the rafters; it’s not exactly walls-of-death and circle pits, but its moving, and the roar of approval that greats the band as they leave is tantamount to this bands skill and resurgence.
Exit Ten has needed change…probably. Time will tell whether or not this new edge pays off and gets these hard working boys the big time they deserve, because the old tunes are modern classics already and the new ones are a step into a musical Alladin’s cave, and if there is any justice in the world these boys will not be playing small venues in the future.
For more information on Exit Ten, check them out on http://www.exitten.net
By Jack Spurway














